Why did the Chair of The Poetry Society cheat?

Why did the Chair of The Poetry Society cheat?

It was in 2004 that I took a more active interest in The Poetry Society of which I had been a member for some years. It had long seemed to me that most of the new pieces that were published as ‘poetry’ in the Society’s quarterly Newsletter and in its magazine Poetry Review were not truly poetry at all.

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Such “False and Unruly Stuff”

or "babble and balderdash"

Such False and Unruly Stuff

Ruth Padel has been ‘Chair’ of The Poetry Society, and is an authoress of note. I present here an analysis of some of her recent writing about English poetry. *** Ms Padel published a book in 2002 called 52 WAYS OF LOOKING AT A POEM.

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“Then There’s Rhythm”

(If you can keep your ancient Greek FEET)

"Then There's Rhythm"

In her book 52 WAYS OF LOOKING AT A POEM published by Chatto and Windus in 2002 Ms Ruth Padel chooses as her first poem a piece called ‘Mrs Noah: Taken After the Flood’ by Jo Shapcott. Here it is: I can’t sit still these days.

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The Journey of a Dunce?

OR: How a mere pith-helmeted end-rhymster is almost lost in a jungled swamp of syl-la-bab-ble

The Journey of a Dunce?

In the chapter Reading Poetry Today in her book 52 Ways of Looking at a Poem, published in 2002 by Chatto and Windus, Ruth Padel talks about modern poetry published in Britain that is written in English.  She promises to show how, technically, the sound supports the sense (p6) in a partnership; 

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